Showing posts with label Haiti. Show all posts
Showing posts with label Haiti. Show all posts

July 25, 2011

Mexican Hammocks

Mexican hammock


The making of hammocks is a proud tradition in the Yucatán. Just about every Maya home has hooks on the wall for hanging their handmade hammock. To mass produce them in a factory would be unthinkable. Every one of these products, exported globally, has been created on a loom, within a family concern. It is often the women who take charge here, though men and children will happily take their turn.

The Maya have been using hammocks since the 1300s. They didn't invent them. The idea was imported from the Taíno people of Ayiti (modern day Haiti), discovered during trading trips. The word 'hammock' means 'fish net' in Arawakan, the language of the Taíno; which gives a huge clue as to what they were making them from. The Maya soon began to stamp their own personality and creativity upon the concept.

Mexican hammock artisan


Mexican hammocks are not made out of fish nets. They are woven out of up to a mile of pure cotton. A few test runs apparently taught them that lying on knots hinder relaxation, so the Maya hammocks do not contain any. The idea is to dye the cotton strands in advance, then keep going from a single yarn. The end result is probably the most comfortable hammock in the world.

Picture a hammock and you possibly have one for a solitary person, strung between two palm trees. With your head close to one tree, and your feet at the other, it cocoons you. If you're trying this with a Mexican hammock, you're doing it wrong.

Hammock


These are designed to lie width-ways across it. That opens up the hammock and allows two or more people to relax side by side. It becomes firm, moulding to each body, as it gently sways. Some are huge, holding up to five people before another hammock is required. In Maya homes, they don't only serve as beds, but as chairs too. A common use is as a baby's cradle. They are very safe for this, so the little one can't roll out. In large families, hammocks can be very economical with space!

Mexican hammock artisan


Hammock weaving accounts for 60% of the industry of the Yucatán Maya. Ever since the Europeans arrived, in the 16th century, Mexico has been exporting brightly colored weaves. Often the colors will tell you something about the artisan who made it.

Young people are encouraged to experiment to find their own designs or the best hues to string together. They are also taught how to construct their own looms. Your own loom means that you're on your way to self-sufficiency; and can make a living in areas that are often mired in poverty.

Mexican hammock artisan


By adulthood, with centuries of traditional knowledge and an apprenticeship of personal experience behind them, they are ready to launch their choices into the international market. You can imagine the glee, when their creation out-sells everyone elses!

This accounts for the fact that no two Mexican hammocks are exactly the same, though they may appear so from a distance. After all, a winning formula is going to be reproduced! The hand-woven designs might have tassels, elaborate knots on the fringes or anything else that the imagination can throw up. Each person wants to put their all into this. It's a matter of honor, accomplishment, status and pride, so they want to stand out.

Mexican hammock artisan


The process of creating a Maya hammock is called sprang weaving. This interlocks the weave in a diamond shape, which has a practical function, as well as looking pretty. The crossing of threads is what makes it so durable. A single hammock should last its buyer a life-time, as they don't easily wear out.

(Caution should be taken, if you lie on them with buckles or other sharp objects on your person. Not only is this going to be uncomfortable, but you might snag the thread. That's about the only way you are going to destroy this hammock.)

Mexican hammock


So next time you're drifting off to sleep, in your Mexican hammock, throw out a quick thought for the individual who made it. Because they'd be thrilled to bits that you choose their hammock - with their design, which they personally wove for you, on a loom that they built themselves. Enjoy!

May 18, 2010

Pirates of the Caribbean - Jean LaFitte

Jean LaFitteJean LaFitte (pron. La-Feet) claimed to have been born in France and some biographers believe him. Others point out that French nationality helped greatly in avoiding the enforcement of American law at the time. And the Americans had a lot of reasons for wanting to enforce their law upon this notorious pirate.

If Jean LaFitte wasn't born in France, then it is likely that he started life in the French territory of Saint-Domingue (Haiti), in 1782, and moved to Louisana, USA, as an infant. He grew up exploring the wetlands and bayous south of New Orleans, until he'd memorized every inlet in the Gulf of Mexico. By 1805, LaFitte was running a warehouse in New Orleans, though which he trafficked the goods smuggled into the country by his brother, Pierre. Life was good until 1807, when the Embargo Act banned any American ship from docking at a foreign port. Lousiana had become part of the United States of America only three years before, but this meant that the brothers could not ply their trade as openly as before.

The brothers LaFitte decided to set up a private port on the island of Barataria. It was sparsely populated area and so small boats could slip beneath the watchful eyes of the custom officers. Business boomed again, as many privateers began to use this port, unloading their large cargos there, then ferrying the goods via barges into New Orleans. The brothers were soon bored though and so brought themselves a schooner, in October 1812. They were ready to become fully fledged pirates in the Gulf of Mexico.



The USA authorities tried, on several occasions, to arrest the brothers. However, this was difficult as the US navy was in its infancy, so was often overwhelmed and outrun at sea; while the people of New Orleans refused to testify against them, as they brought in goods and luxuries far more cheaply than the official sources could. Finally, in 1814, a high ranking citizen did give evidence at a trial against Pierre LaFitte. He was jailed for piracy, leaving Jean LaFitte to run amok alone on the high seas.

This was the time of the American War of Independence and the British were quick to see the strategic value of being able to use the port at Barataria. From there, they could launch naval attacks upon the American colonies. LaFitte was approached with both a carrot and a stick. If he agreed to let the British navy use his pirate port, then he would be given British landholdings, great wealth and the use of the British navy as personal protection. If he refused, then the same British navy would destroy the port. LaFitte asked for 15 days to consider it, then copied the letters and sent them to the American authorities in New Orleans. Within two days, Pierre LaFitte was allowed to escape from jail.

The Americans were taking no chances though. Gunships set out from New Orleans and found the Baratarian port. A battle took place, which the pirates lost. Many were arrested and taken back to New Orleans, but the LaFitte brothers both escaped. However, General Andrew Jackson had arrived in the city and he was horrified at how poorly defended it was. In particular, despite having a swollen fleet filled with captured pirate ships, they had no-one skilled enough to sail them. Forever opportunists, the LaFitte brothers struck a deal whereby any pirates fighting the British, on behalf of the Americans, would immediately be released with full pardon. Jackson accepted and the LaFittes, along with many pirates, received commendations for their 'courage and fidelity' in the Battle of New Orleans. They all received full pardons on February 6th 1815.

This, of course, did not stop the piracy. He took hundreds of ships and their cargo throughout the Gulf of Mexico. In fact, Jean LaFitte openly admitted to piracy in his later years, though he took care to keep his ports outside the USA. His most notable settlement was on Galvaston Island, in Texas, which was under Spanish, then Mexican control at the time. This was effectively a new and improved Barataria, until he was run off it in 1821. Then Jean LaFitte moved operations to Isla Mujeres, in the Yucatán, where he set about building his third and final base. However, it wasn't as large as his previous ports on Barataria and Galvaston, but is significant as he died there in 1826.

The manner of his death has passed into legend, with many different accounts. No-one knows for certain how it happened or where his body lies. Some say that he was killed by a Spanish warship out at sea, but his official biographer, Jack C Ramsey, wrote that Captain Jean LeFitte died of fever on Isla Mujeres. On the island, local oral history concurs and, furthermore, states that before he died, he buried treasure on their beaches. Tourists have been looking for it ever since.

* Posada del Capitan LaFitte, Playa del Carmen: A beachside resort overlooking an inlet which LaFitte used during his piracy.

* Hotel Petit LaFitte, Playa del Carmen: Another hotel in the same inlet used by LaFitte.

* Dzilam de Bravo, Progreso, Yucatán: Plaque commemorating him placed there by CEDAM. There is a tombstone in the cemetery there with the legend, 'Jean LaFitte ReExhumed'.

* Look out to sea. There have been numerous reports, from oil workers on platforms and fishermen in boats, that occasionally a ghostly fleet of pirate ships can been seen around the Gulf of Mexico. This has been credited as being Captain Jean LaFitte and his crew.

* Lord Byron's poem, 'The Corsair': Some scholars say that it's not about Greek pirates at all, but it is about Jean LaFitte.

O'er the glad waters of the dark blue sea,
Our thoughts as boundless, and our souls as free,
Far as the breeze can bear, the billows foam,
Survey our empire, and behold our home!
These are our realms, no limits to their sway—
Our flag the sceptre all who meet obey.
Ours the wild life in tumult still to range
From toil to rest, and joy in every change.

'The Corsair' by Lord Byron, 1814


 
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